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Barbara Hepworth’s ‘Conoid, Sphere and Hollow II’ features in the first monographic exhibition in Paris dedicated to the leading British sculptor, opening at the Musée Rodin on 5 November 2019.
Tristram Hillier’s painting, ‘Fossils (February)’ features in ‘Landscapes of the Mind: the Art of Tristram Hillier’ at The Museum of Somerset, Taunton from 6 November 2019 – 18 April 2020
Tacita Dean announced for Government Art Collection Commission
Adapting and reflecting the world around it, the ambition of the Collection is to continue to challenge and acknowledge its historical roots. New acquisitions are considered by subject, theme or an artist’s personal experience, all of which resonate with different aspects of contemporary British society
There are so many ways to discover this unusual collection.
Still Life with Artificial Flowers is an intricate print that evokes a snapshot of the artist’s mother’s front room in Birmingham. Hurvin Anderson graduated from Wimbledon School of Art in 1994 and his distinct painting style is informed both by British painters such as Leon Kossoff, Michael Andrews and David Hockney as well as a generation of Black British artists, Sonia Boyce, Eddie Chambers and Keith Piper.
This annual print commission is awarded to an outstanding British artist every year for ten years with the support of philanthropists Sybil Robson Orr and Matthew Orr.
Tim Hitchens was Britain’s Ambassador to Japan from 2012–2016 and during that time, the GAC worked with him to curate new displays of art for the Embassy and Residence in Tokyo. In this interview from 2015, he reflects on the role that art played on site.
The GAC display at the Residence ties together our efforts of portraying a modern, sustainable and innovative Britain, whilst linking to key historical events and individuals.
Dr Claire FitzGerald, Curator (Modern & Contemporary) tells us about her love for uncovering the stories hidden within the Government Art Collection
The Government Art Collection has a substantial library of images of the Collection and these are available for commercial reproduction, educational or personal use.
After the War, several new works entering the Collection were displayed at 10 Downing Street, reflecting the mood of post-war Britain
Paintings by Jessica Dismorr and Winifred Nicholson on loan to the exhibition, 'Radical Women: Jessica Dismorr and her Contemporaries' at the Pallant House Gallery
Keen to champion Britain’s position in the world, Margaret Thatcher saw the potential of 10 Downing Street as a place to showcase art, and took an active interest in new displays.
Works of art from the Collection are particularly well represented in New York City. The displays show the wide span of the Collection, from portraits and landscapes by 17th-century painters to works by several of Britain’s leading contemporary artists.
Find out why art can be useful in international diplomacy, and the Collection’s role in strengthening Britain’s soft power
Discover interesting and quirky facts about artworks within the Collection.
What's involved in being a GAC historical curator? Dr Laura-Maria Popoviciu takes us on a journey through time and space.
Works from the Collection are regularly on the move. Find out about what’s needed to make this happen and the job mission of the art works themselves
Find out more about Ways of Seeing, our exciting collaboration this year with Waltham Forest, the first London Borough of Culture.
Peas Are The New Beans by Bob and Roberta Smith, a 1993 painting, raised a smile at HM Treasury
The role of the Advisory Committee is to approve the acquisition and commission of works of art and to advise on the policy and stewardship of the Collection. See who the current members are.
Jan Siberechts’ painting ‘View of Longleat’ features in the British Galleries at the Victoria and Albert Museum as part of a long-term loan.
The story of not just one but three British Embassies in Germany and the art that has been displayed in them.
James Pryde’s painting, 'The Monument', features in 'James Pryde at Dunecht', at Daniel Katz Gallery, London from 5 October – 20 December 2019
From its informal foundation by ministerial memo back in 1898, historical portraits have formed some of the first purchases of the Collection and they continue to do so today.
Why the Government has an art collection, what it collects and why the Collection is spread across the world.
Art is one way of remembering Britain’s long-standing historical relationships with other nations. As Britain has shifted away from conflict and renegotiated its relationship with others in the postwar era, soft power and cultural diplomacy have become increasingly important national and political expressions.
In 1925, a Hungarian nobleman of Polish origins, named Tibor Scitovszky de Nagyker, and his wife Hanna, built and occupied an elegant villa in neo-baroque style in the hills of Buda in Hungary.
In this blog, Dr Laura Popoviciu gives an insight into the history of the British Embassy in Paris during the 19th century through a selection of historical works of art on loan to the embassy from the Government Art Collection.