The Collection

Ballet (2): Giselle

Dame Barbara Hepworth

Ballet (2): Giselle

© Alan Bowness, Hepworth Estate
License this image

Tab Label (see title)
ArtistDame Barbara Hepworth (1903-1975)
TitleBallet (2): Giselle
DateApril 1950
MediumOil and pencil on board
ProvenanceCollection of Geoffrey Gibberd; by whom sold through Sotheby's, London, 'Modern British Drawings, Paintings and Sculpture' sale, on 5 March 1980 (Lot 172); from which sale purchased by the Department of the Environment
Dimensionsheight: 37.00 cm, width: 49.50 cm
Inscriptionsigned and dated, bottom right: Barbara Hepworth 4/50
AcquisitionPurchased from Sotheby's, 5 March 1980
LocationUSA, Washington DC, British Embassy
GAC number14962

Other works by this artist

View All

Sun and MarbleSun and Marble



GAC 10559

November GreenNovember Green



GAC 11750/1

Two Opposing FormsTwo Opposing Forms



GAC 11750/10

Three FormsThree Forms



GAC 11750/11

Forms in a FlurryForms in a Flurry



GAC 11750/12

Tab Label (see title)
Tab Label (see title)

This work contains the following subjects; choose a subject below to cross-refer to other works in the collection:

Similar works by subject:


View all

Brazilian SceneBrazilian Scene

Oil on canvas


GAC 0/62

Dancing GirlsDancing Girls

Pastel and gouache on paper


GAC 578

Coronation Decorations, Lillie Walk SW6Coronation Decorations, Lillie Walk SW6

Pen and ink on paper


GAC 2470

The Encampment in Hyde Park, 1780The Encampment in Hyde Park, 1780

Colour aquatint

published 4 June 1781

GAC 3416

San AgustinSan Agustin

Colour lithograph


GAC 5510

Tab Label (see title)
Tab Label (see title)
Tab Label (see title)

Dame Barbara Hepworth

Barbara Hepworth was born in Wakefield, Yorkshire, and studied at the Royal College of Art in London. One of Britain’s foremost sculptors, she visited Italy in 1924 to study marble carving. In Paris in 1933 she joined Abstraction-Création, an international exhibition society. Her work moved into an abstract phase, and with husband Ben Nicholson and others, she was at the forefront of the modern movement. At the outbreak of the war she moved with Nicholson to Cornwall. From 1951, after her marriage dissolved, she lived permanently in St Ives. Retrospectives were held at the Whitechapel Gallery in London in 1952 and 1962, and the Tate in 1968. She was created DBE in 1965. After her tragic death in a fire, her studio was opened as a museum.