The Collection
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| Artist | Sir Thomas Lawrence (1769-1830) |
| Engraver | Thomas Anthony Dean (1801-1860) |
| Title | Nicholas Vansittart, 1st Baron Bexley (1766-1851) politician |
| Medium | Engraving |
| Lettering | below image: [centre] Painted by Sir T. Lawrence. Engraved by T.A. Dean. / [centre] The R.t Hon.ble Nicholas Lord Bexley [current mount covers any further lettering] |
| Acquisition | Purchased from F B Daniell, April 1970 |
| Location | UK, London, Downing Street |
| GAC number | 8791 |
Other works by this artist
| Frederick John Robinson, Viscount Goderich and 1st... | Mezzotint published 24 May 1824 GAC 0/20/28 | |
| Arthur Wellesley, 1st Duke of Wellington (1769-185... | Mezzotint published 25 January 1839 GAC 0/20/29 | |
| Charles Grey, 2nd Earl Grey (1764-1845) | Mezzotint published July 1830 GAC 0/20/30 | |
| Sir Robert Peel, 2nd Baronet (1788-1850) | Mezzotint published 26 March 1836 GAC 0/20/32 | |
| George Hamilton-Gordon, 4th Earl of Aberdeen (1784... | Mezzotint 1831 GAC 0/20/35 |
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This work contains the following subjects; choose a subject below to cross-refer to other works in the collection:
Similar works by subject:
male portrait
| Horatio Nelson, 1st Viscount Nelson (1758-1805) Vi... | Oil on canvas c1910 GAC 0/1 | |
| Arthur Young (1741-1820) agricultural reformer and... | Soft-ground etching published 1814 GAC 0/4 | |
| Heneage Finch, 2nd Earl of Aylesford (1683-1757) | Oil on canvas c.1740 GAC 0/7 | |
| Soldier in a Red Coat | Oil on canvas c.1720 GAC 0/10 | |
| Sir Richard Taunton (d1752) Mayor of Southampton | Oil on canvas 1724 GAC 0/14 |
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This work contains the following Sitters; choose a link below to cross-refer to other works in the collection:
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Sir Thomas Lawrence was born in Bristol. By 1780 his family settled in Bath, where he may have been taught by William Hoare. He moved to London in 1787 and attended the Royal Academy schools. He later caused a sensation at the Academy with his portraits of ‘Queen Charlotte’ and ‘Miss Farren’, exhibited there in 1790. Two years later, aged 21, he succeeded Reynolds as Painter in Ordinary to the King and thereafter was kept fully occupied as a society portrait painter. He was knighted in 1815 and travelled in Europe from 1818 to 1820, painting the personalities involved in the overthrow of Napoleon. The portraits were commissioned for the Waterloo Chamber at Windsor and earned him the reputation of first portrait painter in Europe.
